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BMRA-Round 1-Superunknown vs. Tragic Kingdom

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Which one?

Poll ended at Thu Jan 04, 2007 1:16 am

Superunknown
22
79%
Tragic Kingdom
6
21%
 
Total votes : 28

BMRA-Round 1-Superunknown vs. Tragic Kingdom

Postby PlayingWithFire » Tue Jan 02, 2007 1:16 am

Soundgarden's Superunknown
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Review by Steve Huey

Soundgarden's finest hour, Superunknown is a sprawling, 70-minute magnum opus that pushes beyond any previous boundaries. Soundgarden had always loved replicating Led Zeppelin and Black Sabbath riffs, but Superunknown's debt is more to mid-period Zep's layered arrangements and sweeping epics. Their earlier punk influences are rarely detectable, replaced by surprisingly effective appropriations of pop and psychedelia. Badmotorfinger boasted more than its fair share of indelible riffs, but here the main hooks reside mostly in Chris Cornell's vocals; accordingly, he's mixed right up front, floating over the band instead of cutting through it. The rest of the production is just as crisp, with the band achieving a huge, robust sound that makes even the heaviest songs sound deceptively bright. But the most important reason Superunknown is such a rich listen is twofold: the band's embrace of psychedelia, and their rapidly progressing mastery of songcraft. Soundgarden had always been a little mind-bending, but the full-on experiments with psychedelia give them a much wider sonic palette, paving the way for less metallic sounds and instruments, more detailed arrangements, and a bridge into pop (which made the eerie ballad "Black Hole Sun" an inescapable hit). That blossoming melodic skill is apparent on most of the record, not just the poppier songs and Cornell-penned hits; though a couple of drummer Matt Cameron's contributions are pretty undistinguished, they're easy to overlook, given the overall consistency. The focused songwriting allows the band to stretch material out for grander effect, without sinking into the pointlessly drawn-out muck that cluttered their early records. The dissonance and odd time signatures are still in force, though not as jarring or immediately obvious, which means that the album reveals more subtleties with each listen. It's obvious that Superunknown was consciously styled as a masterwork, and it fulfills every ambition.

No Doubt's Tragic Kingdom
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Review by Stephen Thomas Erlewine

Led by the infectious, pseudo-new wave single "Just a Girl," No Doubt's major-label debut, Tragic Kingdom, straddles the line between '90s punk, third-wave ska, and pop sensibility. The record was produced by Matthew Wilder, the auteur behind "Break My Stride" -- a clever mainstream co-opting of new wave quirkiness, and, as such, an ideal pairing. Wilder kept his production lean and accessible, accentuating No Doubt's appealing mix of new wave melodicism, post-grunge rock, and West Coast sunshine. Even though the band isn't always able to fuse its edgy energy with pop melodies, the combination worked far better than anyone could have hoped. When everything does click, the record is pure fun, even if some of the album makes you wish they could sustain that energy throughout the record. Tragic Kingdom might not have made much of an impact upon its initial release in late 1995, but throughout 1996 "Just a Girl" and "Spiderwebs" positively ruled the airwaves, both alternative and mainstream, and in 1997 No Doubt cemented their cross-generational appeal with the ballad hit "Don't Speak."
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Postby PlayingWithFire » Tue Jan 02, 2007 1:18 am

I love Ska-Punk!
I love Gwen Stefani!
I love No Doubt!


It's just a sympathy vote. I like No Doubt, don't want them to lose too badly.
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Postby 1337_Dude » Tue Jan 02, 2007 8:27 am

...If No Doubt puts out Soundgarden I'm going to explode.
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Postby deerayfan072 » Tue Jan 02, 2007 9:23 am

Soundgarden, great album. No Doubt, come on :-t
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Postby Old_Style » Tue Jan 02, 2007 9:32 am

superunknown ;-D
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Postby Omaha Red Sox » Tue Jan 02, 2007 9:45 am

No doubt, Soundgarden should win this.
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Postby Dan Lambskin » Tue Jan 02, 2007 11:24 am

well, only one of these bands has a member i'd like to have sex with, but i went with the one with the best voice in rock
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Postby Coppermine » Tue Jan 02, 2007 11:26 am

Dan Lambskin wrote:well, only one of these bands has a member i'd like to have sex with, but i went with the one with the best voice in rock


Seriously; and Chris Cornell's boobs are about the same size as Gwen Stefani's.
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Postby ThatDude » Tue Jan 02, 2007 11:28 am

Dan Lambskin wrote:well, only one of these bands has a member i'd like to have sex with


I wouldn't have sex with anyone in either band.

I've never found Stefani to be the least bit attractive. Probably because I think she's repugnant.
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Postby Tavish » Tue Jan 02, 2007 11:29 am

Dan Lambskin wrote:well, only one of these bands has a member i'd like to have sex with, but i went with the one with the best voice in rock


I think Cornell is a badass as well, but have never really considered having sex with him. :-o
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