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BMRA-Round 1-Automatic for the People vs. Elephant

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Which One?

Poll ended at Thu Dec 28, 2006 12:04 am

Automatic for The People
17
59%
Elephant
12
41%
 
Total votes : 29

BMRA-Round 1-Automatic for the People vs. Elephant

Postby PlayingWithFire » Tue Dec 26, 2006 12:04 am

REM's Automatic for the People
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Review by Stephen Thomas Erlewine

Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the album is a collection of folk songs about aging, death, and loss, but the music has a grand, epic sweep provided by layers of lush strings, interweaving acoustic instruments, and shimmering keyboards. Automatic for the People captures the group at a crossroads, as they moved from cult heroes to elder statesmen, and the album is a graceful transition into their new status. It is a reflective album, with frank discussions on mortality, but it is not a despairing record -- "Nightswimming," "Everybody Hurts," and "Sweetness Follows" have a comforting melancholy, while "Find the River" provides a positive sense of closure. R.E.M. have never been as emotionally direct as they are on Automatic for the People, nor have they ever created music quite as rich and timeless, and while the record is not an easy listen, it is the most rewarding record in their oeuvre.

The White Stripes' Elephant
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Review by Heather Phares

White Blood Cells may have been a reaction to the amount of fame the White Stripes had received up to the point of its release, but, paradoxically, it made full-fledged rock stars out of Jack and Meg White and sold over half a million copies in the process. Despite the White Stripes' ambivalence, fame nevertheless seems to suit them: They just become more accomplished as the attention paid to them increases. Elephant captures this contradiction within the Stripes and their music; it's the first album they've recorded for a major label, and it sounds even more pissed-off, paranoid, and stunning than its predecessor. Darker and more difficult than White Blood Cells, the album offers nothing as immediately crowd-pleasing or sweet as "Fell in Love With a Girl" or "We're Going to Be Friends," but it's more consistent, exploring disillusionment and rejection with razor-sharp focus. Chip-on-the-shoulder anthems like the breathtaking opener, "Seven Nation Army," which is driven by Meg White's explosively minimal drumming, and "The Hardest Button to Button," in which Jack White snarls "Now we're a family!" -- one of the best oblique threats since Black Francis sneered "It's educational!" all those years ago -- deliver some of the fiercest blues-punk of the White Stripes' career. "There's No Home for You Here" sets a girl's walking papers to a melody reminiscent of "Dead Leaves and the Dirty Ground" (though the result is more sequel than rehash), driving the point home with a wall of layered, Queen-ly harmonies and piercing guitars, while the inspired version of "I Just Don't Know What to Do With Myself" goes from plaintive to angry in just over a minute, though the charging guitars at the end sound perversely triumphant. At its bruised heart, Elephant portrays love as a power struggle, with chivalry and innocence usually losing out to the power of seduction. "I Want to Be the Boy" tries, unsuccessfully, to charm a girl's mother; "You've Got Her in Your Pocket," a deceptively gentle ballad, reveals the darker side of the Stripes' vulnerability, blurring the line between caring for someone and owning them with some fittingly fluid songwriting.

The battle for control reaches a fever pitch on the "Fell in Love With a Girl"-esque "Hypnotize," which suggests some slightly underhanded ways of winning a girl over before settling for just holding her hand, and on the show-stopping "Ball and Biscuit," seven flat-out seductive minutes of preening, boasting, and amazing guitar prowess that ranks as one the band's most traditionally bluesy (not to mention sexy) songs. Interestingly, Meg's star turn, "In the Cold, Cold Night," is the closest Elephant comes to a truce in this struggle, her kitten-ish voice balancing the song's slinky words and music. While the album is often dark, it's never despairing; moments of wry humor pop up throughout, particularly toward the end. "Little Acorns" begins with a sound clip of Detroit newscaster Mort Crim's Second Thoughts radio show, adding an authentic, if unusual, Motor City feel. It also suggests that Jack White is one of the few vocalists who could make a lyric like "Be like the squirrel" sound cool and even inspiring. Likewise, the showy "Girl, You Have No Faith in Medicine" -- on which White resembles a garage rock snake-oil salesman -- is probably the only song featuring the word "acetaminophen" in its chorus. "It's True That We Love One Another," which features vocals from Holly Golightly as well as Meg White, continues the Stripes' tradition of closing their albums on a lighthearted note. Almost as much fun to analyze as it is to listen to, Elephant overflows with quality -- it's full of tight songwriting, sharp, witty lyrics, and judiciously used basses and tumbling keyboard melodies that enhance the band's powerful simplicity (and the excellent "The Air Near My Fingers" features all of these). Crucially, the White Stripes know the difference between fame and success; while they may not be entirely comfortable with their fame, they've succeeded at mixing blues, punk, and garage rock in an electrifying and unique way ever since they were strictly a Detroit phenomenon. On these terms, Elephant is a phenomenal success.
Last edited by PlayingWithFire on Fri Jan 12, 2007 5:20 pm, edited 1 time in total.
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Postby Another Blown Save » Tue Dec 26, 2006 12:11 am

REM ;-D
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Postby statsman88 » Tue Dec 26, 2006 12:13 am

Never got into REM, do like the Stripes though.
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Postby Old_Style » Tue Dec 26, 2006 2:33 am

i despise the white stripes.
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Postby Omaha Red Sox » Tue Dec 26, 2006 9:24 am

Old_Style wrote:i despise the white stripes.


So do I. :-°

I like some of REM's stuff though. :-D
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Postby acsguitar » Tue Dec 26, 2006 12:44 pm

White Stripes are awful!! For anyone in music if you enjoy them you are a bum.

Lets bang on a trash can and call it music

REM is actually a good and talented band
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Postby The Artful Dodger » Tue Dec 26, 2006 1:18 pm

I have to roll my eyes when I hear mention of either REM or White Stripes. I'll sit out of this one. :-B
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Postby 1337_Dude » Tue Dec 26, 2006 5:44 pm

Love Jack White and I hate REM. This was easy in my book.
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Postby Callahan » Tue Dec 26, 2006 5:54 pm

REM = awesome
White Stripes = not awesome

Although, I thought the White Stripes had one of the best parts of that Coffee and Cigarettes movie (with RZA and Bill Murray and Iggy Pop and Tom Waits...anyone else seen this??)
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Postby acsguitar » Tue Dec 26, 2006 7:36 pm

Callahan wrote:REM = awesome
White Stripes = not awesome

Although, I thought the White Stripes had one of the best parts of that Coffee and Cigarettes movie (with RZA and Bill Murray and Iggy Pop and Tom Waits...anyone else seen this??)


Yea thats the worst movie ever made
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