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Fantasy Hockey
by ironman » Mon Apr 18, 2005 1:55 pm 
From the sun-dappled heartland, a young man (Robert Redford, in soft lighting) emerges as maybe the best baseball player anybody's ever seen. On his way to the majors, he is cut down by an enigmatic black widow (Barbara Hershey) and vanishes for many years. When he reemerges, a silent mystery, he lands a spot with the New York team and begins tearing up the league--he's still the natural. Fans of the Bernard Malamud novel will be dismayed at the pure mythical hokum of this film, but baseball fanatics have been known to watch and rewatch this one; after all, it's constructed as a kind of shrine to the national pastime. Barry Levinson (Rain Man) directs the movie with an unabashed devotion to the game, although the film could use more of the realities of chewing tobacco and pine tar. Redford is fine, and Kim Basinger and Oscar-nominated Glenn Close are effective as the women in his life. The crowning touch is the soaring, extraordinary music by Randy Newman, the singer-songwriter turned orchestral composer.
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Fear Strikes Out
From its early scenes of a young Jimmy Piersall literally suffering his father's abusive determination that the boy should play baseball, Robert Mulligan's 1957 Fear Strikes Out becomes more about mental health than love of the game. But this is a compelling drama about the real-life Piersall's gradual breakdown one season before a national audience, the legacy of his domineering dad's overbearing ways. (Karl Malden plays Piersall's father.) Mulligan (To Kill a Mockingbird) brings his usual, civilized mix of poignancy and dramatic urgency to the proceedings, keeping any viewer (sports fan or not) involved. Perkins looks out of place on the field and is meant to appear that way; his fragility and intensity underscore the sad tale of Piersall's woes.
